Disc 1:
1. Where the Streets Have No Name
2. I Will Follow
3. I Sill Haven't Found What I'm Looking For
4. MLK
5. The Unforgettable Fire
6. Bullet the Blue Sky
7. Running To Stand Still
8. With Or Without You
9. God Part II
10. Desire (fade out)
11. All Along the Watchtower (fade in)

Disc 2:
1. Help
2. Bad
3. October (fade out)
4. New Year's Day (fade in)
5. Pride (In the Name of Love)
6. Angel of Harlem/Suspicious Minds
7. When Love Comes To Town
8. Love Rescue Me
 

NOTE:  I converted this show from cassette to CDR.  In my opinion, this concert represents U2 at their finest.  Whereas, to a certain extent, the ZooTV/Zooropa tours and, without a doubt, the PopMart tour were plagued by lack of variation in the setlists and static performances of songs from night to night, the Lovetown tour was entirely different.  Because there are no commercial bootlegs that document the early days of this tour (i.e. before 01 December 1989), many fans have not been able to hear that excellent performances that U2 gave in September, October, and November of 1989.  I am doing my best to change this by transferring several shows to CDR.

Here are just a few examples of some variation during this concert:

*The Edge plays plays a long piano solo during "Running To Stand Still"

*Bono forgets the words to October from the very beginning and the problem compounds as he tries to start over without   informing The Edge.  This results in a chaotic display of mumbled words and botched notes.  Eventually, Bono just starts to  improvise and sings a verse that sounds cool but is essentially unintelligible.

*During "Angel of Harlem", Bono begins to cover Elvis Presley's "Suspicious Minds".  He makes it through the first verse, but   as he comes to the chorus he shouts "Help me Edge!".  The two of them combine to quickly close out the song in a less than  memorable fashion.

*Bono improvises heavily during the last verse of "When Love Comes To Town", seemingly making up the words as he goes.

Regarding the sound quality of this bootleg, I feel that it is very good for a cassette conversion -- especially considering that finding decent copies of the early Lovetown shows is quite difficult.  There's not much to mention in the way of flaws other than the two fades listed in the above setlist that are a result of the person recording the show stopping the tape between songs.  Only crowd noise is lost in these fades.  As is the case with almost all cassette conversions, there are a few extremely minor skips and pops, but overall the results were excellent.  There is no background hiss and crowd noise is not a problem.