Disc 1:
1. Wake Up (PA) / Everyone (PA)
2. City of Blinding Lights
3. Vertigo
4. Elevation
5. I Will Follow
6. I Still Haven't Found What I'm Looking
7. Beautiful Day
8. Angel of Harlem
9. Who's Gonna Ride Your Wild Horses
10. The First Time
11. Sometimes You Can't Make It on Your Own
12. Love and Peace or Else
13. Sunday Bloody Sunday
14. Bullet the Blue Sky

Disc 2:
1. Miss Sarajevo / Human Rights Video
2. Pride (In the Name of Love)
3. Where the Streets Have No Name
4. One
5. The Fly
6. Mysterious Ways
7. With or Without You
8. Window in the Skies
9. The Saints Are Coming
10. Rockin' in the Free World
11. All I Want Is You

Recording 1
    Source: Edirol R-09 > CoreSound Binaurals w/bass roll-off
    Location: Recorded about 30 feet off left side of stage
    Transfer: Edirol R-09 > USB Cable > Cool Edit Pro (boost high and low end, add fades) > CD Wave > FLAC Frontend
    Taper: bakerstuff

Recording 2
    Source: Sound Professional AT933 Hyper Cardioids > Sony Sound Pro Battery Box (Roll off @ 107Hz) > Sony PCM-M1 (@ 44.1khz)
    Location: KK - 34 Row
    Transfer: Sony PCM-M1 > Core-Sounds 7 Pin to Coax > Zoltrix Nightingale Pro 6 > Cool Edit (Hard Limited / Normalized and fades) >
                    CDWav (for track splitting) > Flac Frontend (FLAC)
    Taper: chrisedge
    Note: This is Version 2 of chrisedge's recording.  The first transfer had a few skips.

Lineage: Flac files from U2T
Mix: Import to audition2 > upsample to 48k 32 bit > process and sync > mix > render > downsample to 44.1k > cdwave tracking > TLH Flac encode level 6
Mixed by: bobs23
 

NOTE (by bobs23, distributed with .flac files): These appeared to be the best versions out there.  First I took Bakerstuff and did a full mastering of the set, using a 6 band parametric to even it out. Then ran a multiband compressor to get the levels up.  Chris’ was a bit more challenging due to the distance. First I did a pre master to see what I could get out of it, which was quite a bit. This required bringing down the spike at 1200hz that was giving it most of the distance sound, and then I narrowed the soundstage to give it even more clarity. This pass was used as the patch for Bakers’ version, which was good but had 2 people constantly screaming throughout the show. I then did another pass on Chris’ with a bass roll off that would be used as the ambiance for the show. The mix was kind of done like a soundboard / audience matrix where Bakers version was up full and Chris’ was mixed back to give the space to the recording. The end result is very clear vocals with a lot of punch, but with the ambience to give you the feel of a stadium show without being too echoey.